EQUIPMENT

All supporting gear such as cables, batteries, plates, cards, support rods, rain covers, bags, cases, chargers etc etc are available.

RED EPIC DRAGON 6K

SPECS

DYNAMIC RANGE

16.5+ stops

MAX DATA RATES

Up to 200 MB/s using RED MINI-MAG (480GB & 960GB)
Up to 170 MB/s using RED MINI-MAG (120GB & 240GB) or REDMAG 1.8"

MAX FRAME RATES

75 fps at 6K Full Format (6144 x 3160), 100 fps at 6K 2.4:1 (6144 x 2592)
96 fps at 5K Full Format (5120 x 2700), 120 fps at 5K 2.4:1 (5120 x 2160)
120 fps at 4K Full Format (4096 x 2160), 150 fps at 4K 2.4:1 (4096 x 1728)
150 fps at 3K Full Format (3072 x 1620), 200 fps at 3K 2.4:1 (3072 x 1296)
240 fps at 2K Full Format (2048 x 1080), 300 fps at 2K 2.4:1 (2048 x 864)

REDCODE SETTINGS

4:1 REDCODE for 6K Full Format (6144 x 3160) at 24 fps
10:1 REDCODE for 6K Full Format (6144 x 3160) at 60 fps
2:1 REDCODE for 4K Full Format (4096 x 2160) at 24 fps
5:1 REDCODE for 4K Full Format (4096 x 2160) at 60 fps

Mounts available

*F (Nikon)

*EF (Canon)

*PL

OLPF available:

*Standard

*Low Light

*Skin Tones

RED DSMC2 GEMINI 5K

red-dsmc2-gemini-camera-kit-710-0324-red

Dual Base ISO

800 & 3200

Infrared Capable

SPECS

DYNAMIC RANGE

16.5+ stops (Both Sensitivities)

MAX DATA RATES

Up to 300 MB/s using RED MINI-MAG® (480GB, 512GB, 960GB & 1TB)

Up to 225 MB/s using RED MINI-MAG (120GB & 240GB)

REDCODE® RAW MAX FRAME RATES

75 fps at 5K Full Height 1.7:1 (5120 x 3000)

96 fps at 5K Full Format (5120 x 2700), 120 fps at 5K 2.4:1 (5120 x 2160)

120 fps at 4K Full Format (4096 x 2160), 150 fps at 4K 2.4:1 (4096 x 1728)

150 fps at 3K Full Format (3072 x 1620), 200 fps at 3K 2.4:1 (3072 x 1296)

240 fps at 2K Full Format (2048 x 1080), 300 fps at 2K 2.4:1 (2048 x 864)

REDCODE SETTINGS

3:1 REDCODE at 5K Full Height (5120 x 3000) and 24 fps

6:1 REDCODE at 5K Full Height (5120 x 3000) and 60 fps

2:1 REDCODE at 5K Full Format (5120 x 2700) and 24 fps

8:1 REDCODE at 5K Full Format (5120 x 2700) and 96 fps

2:1 REDCODE at 4K Full Format (4096 x 2160) and 24 fps

6:1 REDCODE at 4K Full Format (4096 x 2160) and 120 fps

Apple® ProRes

ProRes 422 HQ, ProRes 422 and ProRes 422 LT at 4K (4096 × 2160) up to 29.97 fps

ProRes 4444 XQ and ProRes 4444 at 2K (2048 × 1080) up to 120 fps

ProRes 422 HQ, ProRes 422 and ProRes 422 LT at 2K (2048 × 1080) up to 120 fps

Avid® Codecs

DNxHR HQX at 4K (4096 × 2160) 12-bit up to 29.97 fps

DNxHR HQ, SQ and LB at 4K (4096 × 2160) 8-bit up to 29.97 fps

DNxHR 444 at 2K (2048 × 1080) 12-bit up to 120 fps

DNxHD 444 and HQX (1920 × 1080) 10-bit up to 120 fps

DNxHD HQ, SQ and LB (1920 × 1080) 8-bit up to 120 fps

Mounts available:

*EF (Canon)

*PL

*Kippertie revolver PL

OLPF available:

*Standard

*Kippertie full spectrum (Infra Red)

SONY FS7 II 4K

SPECS

DYNAMIC RANGE

14 Stops

MAX DATA RATES

XAVC-I mode:DCI4K 59.94P CBG, bit rate 600Mbps, MPEG-4 H.264/AVC
XAVC-I mode:DCI4K 50P CBG, bit rate 500Mbps, MPEG-4 H.264/AVC
XAVC-I mode:DCI4K 29.97P CBG, bit rate 300Mbps, MPEG-4 H.264/AVC
XAVC-I mode:DCI4K 23.98P CBG, bit rate 240Mbps, MPEG-4 H.264/AVC
XAVC-I mode:DCI4K 24.00P CBG, bit rate 240Mbps, MPEG-4 H.264/AVC
XAVC-I mode:DCI4K 25P CBG, bit rate 250Mbps, MPEG-4 H.264/AVC
XAVC-I mode:QFHD 59.94P CBG, bit rate 600Mbps, MPEG-4 H.264/AVC
XAVC-I mode:QFHD 50P CBG, bit rate 500Mbps, MPEG-4 H.264/AVC
XAVC-I mode:QFHD 29.97P CBG, bit rate 300Mbps, MPEG-4 H.264/AVC
XAVC-I mode:QFHD 23.98P CBG, bit rate 240Mbps, MPEG-4 H.264/AVC

MAX FRAME RATES

XAVC-I mode 3840x2160: 1 to 60 frames (59.94P, 50P, 29.97P, 23.98P, 25P)
XAVC-I mode 1920x1080: 1 to 180 frames (59.94P, 29.97P, 23.98P) 1 to 150 frames (50P,25P)
XAVC-L mode 3840x2160：1 to 60 frames (59.94P, 50P, 29.97P, 23.98P, 25P)
XAVC-L mode 1920x1080: 1 to 120 frames (59.94P, 50P, 29.97P, 23.98P, 25P)

Mounts available:

* Metabones E to EF (Canon)

SONY A7SII 4K (Infrared)

SPECS

DYNAMIC RANGE

15.1 Stops

HIGH ISO

100 - 409,600 ISO Range

RECORDING COMPRETION

XAVC S: MPEG-4 AVC/H.264; AVCHD: MPEG-4 AVC/H.264; MP4: MPEG-4 AVC/H.264

RECORDING FRAME RATE

4K - 24, 25, 30fps

HD - Up to 120fps

Our A7SII has been converted to Infrared, with its super low light capabilities combined with Infrared. Capturing natural behaviour at night has never been this eye opening.Combining our A7SII with our Atomos Ninja Flame you get the amazing low light capabilities combined with the proven ProRes format.

Mounts available:

* Metabones E to EF (Canon)

SEE IN THE DARK

Lenses

Canon CN 20 X 50. PL (50 - 1000mm + 1.5 built in converter)

Canon 100 - 400 f4.5-5.6 MKii EF

Canon 70 - 200 f2.8 MKii EF

Canon 24 - 105 f4 EF

Canon 2X EF Converter

Canon 1.4X EF Converter

Sony E 4/PZ 18 - 110 G OSS

Laowa 24mm f14 Probe Lens Cine EF

Sigma 60 - 600 f4.5-6.3 Sport EF

Zeiss 50mm f2 Macro Planar ZE

DJI Phantom 4 Pro

DYNAMIC RANGE

12.5 Stops

VIDEO RECORDING

H.265
C4K:4096×2160 24/25/30p @100Mbps
4K:3840×2160 24/25/30p @100Mbps
2.7K:2720×1530 24/25/30p @65Mbps
2.7K:2720×1530 48/50/60p @80Mbps
FHD:1920×1080 24/25/30p @50Mbps
FHD:1920×1080 48/50/60p @65Mbps
FHD:1920×1080 120p @100Mbps

H.264
C4K:4096×2160 24/25/30/48/50/60p @100Mbps
4K:3840×2160 24/25/30/48/50/60p @100Mbps
2.7K:2720×1530 24/25/30p @80Mbps
2.7K:2720×1530 48/50/60p @100Mbps
FHD:1920×1080 24/25/30p @60Mbps
FHD:1920×1080 48/50/60 @80Mbps
FHD:1920×1080 120p @100Mbps

Gimbals & Sliders

DJI Ronin 2 Professional Combo + Ready Rig Pro Arms

DJI Ronin S

Rhino Motorised Studio Slider (Complete Bundle)

Kessler Crane KC12

Kessler Crane Killshock Isolator System

Combining our Ronin 2 + Killshock and/or Ronin 2 + Killshock + Crane, we are capable of creating a smooth tracking system, that produces smooth high quality images.